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STUDIO at The Met Breuer
March 24, 2017 @ 7:00 pm - 9:00 pm
This event is currently sold out
The Marsden Hartley’s Maine exhibition explores Marsden Hartley’s complex, sometimes contradictory, and visually arresting relationship with his native state—from the lush Post-Impressionist inland landscapes with which he launched his career, to the later roughly rendered paintings of Maine’s rugged coastal terrain, its hardy inhabitants, and the magisterial Mount Katahdin. Hartley’s renowned abstract German series, New Mexico recollections, and Nova Scotia period have been celebrated in previous exhibitions, but Marsden Hartley’s Maine will illuminate Maine as a critical factor in understanding the artist’s high place in American art history. Maine served as an essential slate upon which he pursued new ideas and theories. It was a lifelong source of inspiration intertwined with his personal history, cultural milieu, and desire to create a regional expression of American modernism. In keeping with The Met Breuer’s mission to present modern art in the context of the history of art, this exhibition will include select works from The Met collection by other artists who shaped Hartley’s vision, including French modernist Paul Cézanne, Japanese printmakers Utagawa Hiroshige and Katsushika Hokusai, and American painters Winslow Homer and Albert Pinkham Ryder.
Attendees will enjoy a walkthrough of the Hartley exhibit starting at 7:00 p.m. Those in attendance are encouraged to visit the other exhibitions prior to coming together at 8:00 p.m. for a cocktail reception inclusive of wine, beer and snacks, at the Met Breuer’s Flora Bar.
Image Credit: Marsden Hartley (American, 1877–1943). Canuck Yankee Lumberjack at Old Orchard Beach, Maine (detail), 1940–41. Oil on Masonite-type hardboard. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Gift of Joseph H. Hirshhorn, 1966. Photo by Cathy Carver